Joclésio Azevedo

Inacabado

 

Peça finalizada

Duração: 45min

 

Neste projeto o movimento surge enquanto algo que não começa nem acaba no corpo, enquanto algo que vive em constante estado de propagação e de reconfiguração dos seus impulsos. Na ausência de um silêncio definitivo o corpo torna-se assim um território de ocupações diversas, investido, amplificado, desmontado, portador de sonoridades e de vibrações. Interessa-me neste solo amplificar a possibilidade de provocar o eco, de extrair, através do corpo, a palavra e o som e a imagem a par e passo. Como ponto de partida comecei por recorrer à transformação de fragmentos de imagens e sons recolhidos ao acaso ou anteriormente usados em outros trabalhos, criando paralelamente um diálogo com o meu percurso como coreógrafo.

 

In this project the movement emerges as something that neither begins nor ends in the body, as something that lives in a constant state of propagation and reconfiguration of their impulses. In the absence of a definitive silence the body thus becomes a territory of diverse occupations, invested, amplified, disassembled, holder of sounds and vibrations. In this solo piece I am interested in amplifying the possibility of causing the echo, extracting, through the body, speech and sound and image hand in hand. As a starting point I began to use fragments of images and sounds collected at random or previously used in other works, creating a parallel dialogue with my career as a choreographer. The citation and self-citation (and self-excitation, therefore) are the tools of a process of collecting materials that reappear before disappearing, setting new directions, leaving traces or evidencing repeated motifs.

The process of giving space to the unfinished is used as an attempt to outline the refusal of setting the body in motion, showing the difficulty of its objectification, creating resistance to its quantification. It is perhaps this dissolution previously announced the ultimate goal of every action performed, its primary function.

The dissolution of each gesture in its own execution does not preclude, however, that there may be resonances, and everything that goes beyond the moment of action, generating effects, new openings to the reconfiguration of the sense, for what is being made present in the performance, looking for the possibility of expand each new gesture. This same type of principle is also applied to texts and sounds that accompany the action on stage, texts and sound recordings that were rewritten, reassembled from traces of materials and ideas never finalized in previous works.

 

Coreografia e interpretação /Choreography and interpretation  | Joclécio Azevedo

Colaboração /Collaboration | Jordann Santos

Apoios/ Support  |Trabalho criado no âmbito do projeto Artista Residente da Circular Associação Cultural /Work created under the Resident Artist draft Circular Cultural Association 

Ano de criação | 2013

Apresentado anteriormente no Auditório Municipal de Vila do Conde, Maio, 2013

Premiere: May 2013/Vila do Conde