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Rite of City – Reminisce
Dir: Maurice Lai
Chor: Scarlett Yu and Lin I-pin
Passage
Dir: Lorence Chan
Chor: Candy Kuok
Este é um lugar que foi lavado por muitas pessoas e muitas histórias por anos durante o tempo. Para o lugar, a consciência de um indivíduo é insignificante. É isso é um segundo, um minuto, um dia, um mês, um ano, de um século que dá cores ao presente. Além do tempo, o que também se pode ver são todas as pessoas e coisas do passado, que estão ausentes neste momento.
This is a place where has been washed by many people and many stories by years of time. To the place, the consciousness of an individual is insignificant. It is that one second, one minute, one day, one month, one year, one century that gives colors of the
present. Besides from time, what we could also see are all those people and things of the past that are absent at this moment.
Se guarda-chuvas de papel podem ser elevados de tens de uso diário para o estado de obras de arte, também podemos construir patrimónios.
Com um guarda-chuva de papel, uma canção e as ruas da cidade de Tainan, diretor Maurice Lai reflete sobre o desenvolvimento urbano. No decurso de quatro séculos, Tainan foi submetido a influências multiculturais.
If paper umbrellas can be elevated from everyday usage items to works of art, so can heritage buildings. With a paper umbrella, a song and the streets of the City of Tainan, director Maurice Lai makes us reflect on urban development. In the course of four centuries, Tainan was subjected to multicultural influences. For the past 20 years, it has been at the crossroad of the transition from old to new in its urban development. How much of the ancient capital should be preserved? How much should be demolished for the sake of development? The film looks back and examines past values. By choosing the filming locations from an architectural and humanistic point of view, Tainan architect Tsai Chiang Kuo Chi enriches the work with greater depth and affection. This film is one of the commissioned works of the 5th Jumping Frames International Dance Video Festival and was selected in Short Film Corner of Cannes Film Festival 2013.
Com a câmera focada na situação de um prisioneiro espancado, privado de sua liberdade, e na dor
até seu último suspiro, Director Leecat Ho considera o poder de convicção de um indivíduo e o
legado do seu sacrifício.
With the camera focused on the plight of a battered prisoner, deprived of his freedom, and in pain
until his last breath, Director Leecat Ho considers the power of an individual’s conviction and the
legacy of their sacrifice. The prisoner’s body might have vanished but his spirit will survive,
blossoming in a flicker of eternal sunshine. This is one of the commissioned works of the 5th
Jumping Frames International Dance Video Festival and was selected in Short Film Corner,
Festival of Cannes 2013.
"Quando você realmente ama dançar, você vai ficar com ela em todos os momentos." Nossos dois dançarinos chineses Yang e Lao mergulham na textura urbana de Portugal, em busca de inspirações e
cross-cultural iluminação.
“When you really love dancing, you will stick with it at all times.” Our two Chinese dancers Yangand Lao immerse themselves into the urban texture of Portugal, in pursuit of inspirations and cross-cultural enlightenment. Their means of cross-cultural communication are none other than their own bodies, which were liberated from their usual boundaries of the stage to the open air of the public space. Bold steps are made not only in the dance movement, but also in the break off
from the stiff norms of Chinese ideologies. Fado singers improvise joyously with the two oriental bodies, as the dance finds its way into the dark corners of the city.
Eternal Sunshine
Dir: Leecat Ho
Chor: Hugh Cho
But Myself
Dir: Ao-leong Weng-fong Chor: Yang Hao and Chloe Lao
VÍDEO DANÇA | CHINA
Flashback at the Lilau / A Nostalgic Attachment to Lilau
Dir: Fung Kuok Kee Gabriel Chor: Chloe Lao
Landscape duet
Dir: Pierre Larauza
Chor: Emmanuelle Vincent
Sleepwalker
Dir: Mike Ao Ieong
Chor: Alice Joana Gonçalves
Music: Tiago Candal
Quando o tempo rola, esperando por ninguém, o Lilau mantém uma riqueza de memórias, histórias e anedotas sobre poços e fontes de água de Macau. Como um popular ditado: "Aquele que beber da Lilau nunca se esquece de Macau".
When Time rolls on,waiting for no man, the Lilau keeps a wealth of memories, stories and anecdotes about wells and water sources of Macau. As a popular saying goes, “One who drinks from Lilau never forgets Macao”. The inherited values contained in the water, the soil as well as the leaves, while memory transmitted by the people in a flashback.
“Flashback at the Lilau” is an environment dance project developed from the art tour “Heritage Stroll with Poetries” at the Historic Centre of Macau in 2012.
Hong Kong é conhecida por sua alta densidade selva de concreto, mas muitos não estão tão familiarizados com a sua rica paisagem verdejante.
Hong Kong is well known for its high density concrete jungle, but not many are as familiar with its rich, verdant countryside. The French-Belgium dance company t.r.a.n.s.i.t.s.c.a.p.e takes an
interest in Hong Kong territory and reveals both its urban landscapes and natural environment as two dancers - Emmanuelle Vincent from Belgium and Ivy Tsui from Hong Kong – physically explore
the radically opposite locations. The work is enhanced by original music by singer/musician
Matthieu Ha. Commissioned work of the 5th Jumping Frames International Dance Video festival.
Certas lembranças diárias e fantasia, tornam-se pequenos Punctums que estimulam o corpo. O punctum está sendo projetado no sonho inconscientemente, e tentando ser um sonâmbulo de memórias em fantasias para si mesmo, buscando a conexão entre o corpo ea imaginação.
Certain daily memories and fantasy, become small Punctums which stimulating the body. The punctum is being projected in the dream unconsciously, and trying to be a sleepwalker of memories in fantasy for itself, seeking the connection between body and imagination.